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October 17, 2006

Nextwave Canceled?

Marvel just let out the solicitations for January and I was a tad suprised when I saw this:

"To all those who HAVEN’T been buying NEXTWAVE– Thanks a lot, jerks! This is the last issue! To all those who HAVE been buying NEXTWAVE– YOU RULE!! Do not miss this pulse-pounding conclusion to the greatest work of western literature EVER! Hamlet? Horrible. War and Peace? What-a-joke! The Great Gatsby? The Great Lame-by, maybe. Those works are going to be moved to the Bad Section of your local bookstores after this issue comes out. Don't miss this or you won’t know what your children’s children are reading in school."

I was surprised because I thought the numbers for the title were good. Thats when I learned Warren Ellis sent out a press release via email:

"Sales on the singles are okay, if not great. Sales on the first collection have apparently been terrific.

We were on such a roll with NEXTWAVE that I was actually into the idea of doing a second year, which is highly unusual for me and work-for-hire properties. So Marvel sat down and looked at the numbers, as they wanted to do a second year too.

What they found was that, at our current sales levels, they could afford for me to write it, but not for Stuart to draw it. Stuart, as a Marvel-exclusive artist, commands a fee commensurate with his astonishing talent. I’m WFH-exclusive too, but they just send me whisky and loose women and I’m fine. So, basically, I could continue to write NEXTWAVE, but we’d need to find another artist. This, to me, was just wrong. I mean, Stuart would obviously be given a far better job that had actual readers attached to it, but it still seemed a bit like the numbers were conspiring to fire him for doing his job too well. Everyone at Marvel pitched in to try and make it work, but the numbers were just against us.

So NEXTWAVE #12 will be the final issue of the ongoing series.

(To clear up a common misconception: NEXTWAVE was always pitched as an ongoing series. However, my original intent was to do 12 and then pass it on to someone else. This got garbled, somewhere down the chain of communication, and so the first issue or two got solicited as “part xxx of 12″.)

However. The numbers game changes when you posit things in terms of limited series.

NEXTWAVE #12 will be the last issue of the ongoing series: but there will be more NEXTWAVE to come, presented as a sequence of limited series.

This was all worked out some months ago, so I had plenty of time to work the final NEXTWAVE sequence into a conclusion of sorts. #11 even features a twelve-page spread that you’ll have to buy six copies of the comic to assemble into its full splendour. Everyone wishes I’d thought of that eight or nine months ago.

That was the news. Return to your duties."

Wizard Sucks

    Wizard sucks because the magazine/website is more about marketing and publicity than news or in-depth coverage. If you want proof of this, then read this headline: “TURNER VARIANT REVEALED FOR 'ONSLAUGHT REBORN' #1! Variant cover for hotly anticipated Marvel series makes its debut!”
    Onslaught was partially responsible for driving away tons and tons of readers in the 90's, yet Wizard claims it’s come-back is “hotly anticipated.”  I’m sorry but that’s a straight up marketing spin, not a news headline.
    And for you OCD fanboys that care about variants, here is the cover:
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October 16, 2006

SPX: All My Coverage

 
Links to all my SPX posts:
Friday, Day 1
Saturday Photo Dump
Ignatz Winners
Scott McCloud Q&A
Center for Cartoon Studies Workshop
McCloud Triva
Working With Main Stream Publishers panel
Changes in Comics Publishing and Distribution

SPX: Changes in Comics Publishing and Distribution panel

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This panel had Fantagraphics Publisher Gary Groth, Top Shelf Publisher Brett Warnock, Picture Box Publisher Dan Nadel, and cartoonist Lauren Weinstein (was supposed to be on the last panel, but missed it so sat in on this one) discussing comic book publishing and book store distribution. Bill Kartalopoulos moderated.

Continue reading "SPX: Changes in Comics Publishing and Distribution panel" »

SPX: Working with Mainstream Publishers Panel

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Agent/Publisher Denis Kitchen and cartoonist Scott McCloud discussed the experience of working with “mainstream” book publishers.  Lauren Weinstein was supposed to be on the panel but a scheduling mix-up had her missing it. This panel and all panels held on Sunday for the “Small Press Summit” were moderated by Bill Kartalopoulos.

Continue reading "SPX: Working with Mainstream Publishers Panel" »

October 15, 2006

SPX: More Coverage!

I still have three panels from today that I'm going to clean up and post. The problem with them is that they are really long and I have a lot of typos to remove so it takes a while to make them readable. But I'll either post them later tonight or tomorrow. Then, just so you know, the panels are:

Working with Mainstream Publishers - with Scott McCloud and Denis Kitchen

Changes in Comics Publisher and Distribution - with Gary Groth, Dan Nadel, Brett Warnock and Lauren Weinstein

Publicity and Media - with Heidi MacDonald, Calvin Reid, and Whitney Matheson

SPX: Scott McCloud Q&A

    The Q&A session was held Saturday afternoon in one of the smaller panel rooms at SPX. Bill Kartalopoulos ran the session and allowed audience members to ask questions during the last fifteen minutes. Bill, who attended a session by McCloud a few weeks ago asked him to start off by explaining and talking about the controversial “grid.”

Continue reading "SPX: Scott McCloud Q&A" »

SPX: Day 2 Photo Dump, (Saturday 2006)


Above: This is how full the show floor was all day Friday and Saturday.

Continue reading "SPX: Day 2 Photo Dump, (Saturday 2006)" »

SPX: McCloud-Clan Trivia

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    Here is a piece of McCloud trivia I heard twice over the weekend. You see the panel above? Most of you should recognize it as the last panel in Scott McCloud’s “Understanding Comics.” In the panel you see Scott, and then Ivy holding their first born, Sky.
    Ivy told me this weekend that Sky’s “release date” and the book’s “release date” are actually two weeks apart and that the book came out first.  However, Scott chose to draw Sky as a new born because he didn’t want his wife immortalized in a pregnant state. She said he felt it was bad luck. She also said that the proof that the book came first is the fact that Scott drew Sky as a bald baby becuase apparently she has always had a full head of hair.

SPX: Center for Cartoon Studies Panel


           
The Center for Cartoon Studies: Presentation and Workshop was led by Robyn Chapman who goes to the CCS in Vermont. From the description of the panel I thought it was going to be about how to cartoon, but it was really one long pitch about the school. Even so it was a lot of fun.

Continue reading "SPX: Center for Cartoon Studies Panel" »

SPX: 2006 Ignatz

Ignatz Winners from last night

Outstanding Series
Owly by Andy Runton (Top Shelf Productions)

Outstanding Comic
Schizo #4 by Ivan Brunetti (Fantagraphics Books)

Outstanding Artist
Tony Millionaire, Billy Hazelnuts (Fantagraphics Books)

Outstanding Minicomic
Monsters by Ken Dahl (Self-Published)

Outstanding Debut Comic
Class of ‘99 by Josh Eiserike (Self-Published)

Outstanding Anthology or Collection
Black Hole by Charles Burns (Pantheon)

Outstanding Minicomic
Monsters by Ken Dahl (Self-Published)

Outstanding Graphic Novel
Tricked by Alex Robinson (Top Shelf Productions)

Outstanding Story
Ganges #1 by Kevin Huizenga (Fantagraphics Books)

Promising New Talent
Hope Larson, Salamander Dream (AdHouse Books), Gray Horses (Oni Press)

Outstanding Online Comic
Perry Bible Fellowship by Nicholas Gurewitch

October 13, 2006

SPX Day 1, (Friday 2006)

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    Today, I ventured into SPX for the second time (the first was 3 years ago). The most noticeable change was that the convention was held in Rockville. I’m not sure how the ‘regulars’ felt about it, but I liked the new location. It was still crowded, but from what memory serves the lighting was 100 times better. Plus I just like Rockville a lot better than Bethesda [Below: The new location].

    I’ve not been to many conventions (just ones in Baltimore, Philadelphia, and NYC) but even I could tell the difference between SPX and the main stream shows. At SPX, nearly every person you talk to is nice and friendly (That’s not saying people aren’t at mainstream shows just that almost EVERYONE I talked to at SPX was).

Continue reading "SPX Day 1, (Friday 2006)" »

Fantastic Wedding


    Someone posted a buttload of “Fantastic Four: Rise of the Silver Surfer” photos on flickr. See them here. These are all from the Reed Richards and Sue Storm wedding which gets crashed by the silver surfer. 


SPX


SPX is today! I'm sneaking onto campus to print copies of "DAD!" for free then heading over to the convention. I may try to do some "live blogging" or at least post updates, but I won't know what I'll be able to do until I get there, so stay tuned.

October 09, 2006

24 Hour Comics Day Numbers

After getting a full night of sleep (I know from experience how nice that was), 24HCD organizer Nat Gertler posted a wrap up of the event. It seems at official locations participants in the world-wide-event hit 1199. Counting people, like me, who made their comics at home, an estimated 20,000+ attempted to make a 24 Hour Comic.

SPX Programing

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    SPX just announced the programming for this weekend. I’m going to have to figure out which panels I want to go to.
    Continue after the break to see the full schedule.

Continue reading "SPX Programing" »

October 04, 2006

"Ghost Rider" trailer


The “Ghost Rider” trailer has been posted online here. I know nothing about Ghost Rider so I can’t give a frame-by-frame break down in an attempt to guess the plot, but I can say that this is a movie I don’t mind waiting for DVD to see.
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October 03, 2006

"X-men 3: The Last Stand" DVD

    I got “X-men 3: The Last Stand” from Blockbuster so I could check out the three Alternate Endings. I was so disappointed in the decisions they made in the film that I was hoping a major alternate ending would make me feel better.
    Well dammit now I feel even more disappointed.
    The first ending is 40 seconds and is exactly the same as the original ending, only Beast makes a joke about needing larger classrooms for all the new students at the school.
    The second ending is 44 seconds long and shows Rouge returning from the clinic where they were healing mutants. This time she didn’t use the “cure” to get rid of her powers. Although it was a such a short scene it’s the version that should have been in the original film. I mean to have the “real” version as her losing her powers goes against what it means to be an X-man.  The X-men are there to show that its ok to be different. They are about accepting yourself for who you are and it just seems wrong that in this third film they had a major character go against that.
     The third ending was 1 minute 4 seconds and has Wolverine at the bar he was in the first film. The bar tenders says “I remember you” and then gets him a drink. The bar tenders also asks “Where are you headed, home?” and Logan says “Yes.”  I’m guessing this was supposed to be a tease for the Wolverine-spin-off, but if it was there was no teasing at all. It was really lame.
   Making the DVD more pathetic was the fact that there were no other special features. There were no featurettes or behind the scenes stuff. There were a few east eggs, but they weren't funny or cool.

October 01, 2006

24 Hour Comic Day

    Next Saturday (Oct. 7) is this year's "24 Hour Comics Day." The whole concept was created years ago by Scott McCloud and is pretty simple: In 24 hours, write a comic, draw it, ink it, and letter it.
     The rules for a 24 Hour comic can be found here.
     I'm thinking about attempting a 24 Hour Comic, but I'm not sure if I'm capable of it. I can't draw worth crap and even when I was doing "Ocean Life" it would take me 2 hours to do draw a simple strip. Then I would have to ink, color, and letter it.
    Well... I have till friday to decide if I'm doing it or not. So we'll see.

September 29, 2006

Spike TV Cancels "Blade"

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    [Click above photo to enlarge] Today, all the news is from MySpace. This time “Blade” actress, Jill Wagner, posts that Spike TV has canceled the TV show.

Wizard Stuff

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    Remember this from last week? I won “Xenosaga III” from Wizard. Well I got it this week in the mail but they sent a mess of other stuff too.
             -Wizard
             -Animie Insider
             -Toy Fair
             -Jonah Hex #1
             -Jonah Hex #2
             -Wildcats #0
             -Hero Squared #3
             -Exalted #4

Downey as Iron Man

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   Jon Favreau, director of the new “Iron Man” movie, posted the following on his MySpace blog:
   “It is true. Robert Downey Jr. is Tony Stark. I am about as excited as I can be. I saw what he can do and he is extremely enthusiastic about playing Stark. I can say with absolute certainty that there is no better choice. The humor and emotional dimension he brings truly raises the bar on this project. Get ready.”
    So come February, Downey, the well known drug addict, but amazing actor, will portray Tony Stark, Marvel’s well known alcoholic. Between that and Tony Stark being a total dick, the roll shouldn’t be a stretch for Downey.

September 27, 2006

Winterview #1

    The Scott McCloud Clan has posted the first Winterview. This is an interview conducted by McCloud’s youngest daughter Winter and filmed/edited by his oldest daughter Sky.
    The McCloud girls are holding the Winterviews with various comic book creators that the meet across the country on their 50-state-tour.
    This first one is with Raina Telgemeier (of "Smile" and "Babysitters Club" fame) and Dave Roman (associate editor at Nickelodeon and creator of "Astronaut Elementary" and "Agnes Quill").  There isn’t too much to be gained about comics from it, but its nice to watch to just how cute of a couple the two cartoonist are.

Wizard Film Festival

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     Wizard (the magazine publisher and convention coordinators) is launching a new film festival that they plan to make an annual event. The actual competition will happen at Wizard World Texas and winners will be screened at Wizard World Lost Angeles.
     There are four categories; dramas 5 minutes and under, comedies 5 minutes and under, dramas 60 minutes and under, and comedies 60 minutes or under.
     I’m 96.7 percent sure I’m going to submit “Hundred Dollar Bill” into the 5 minute drama category. I just need to talk to Kevin and I’m waiting to hear back on an email I sent Wizard.
     There aren’t any crazy prizes or anything for this festival. Actually there is only one prize. The best of the four finalists will receive a “Best in Fest” award at Wizard World Texas. Then next spring at Wizard World Los Angeles, the winner gets an 8ft table for free at the show (One of the questions I emailed was if Wizard World pays for transportation and lodging in L.A.).

September 26, 2006

Review: Writing for Comics with Peter David

    This is a really bad book and you should not waste your money on it. I mean just skimming it in the book store I should have known it was going to be total crap, but I wanted to have a little faith in David and gave it a try.
   The biggest problem is that there is no order to the book. Most writing books start with smaller concepts and build on those. David wrote his like a stream of conscious where it just keeps shifting into the next subject without any real connection. The book has chapters, but you only know that from the table of contents. You could never tell by reading it.
    The second problem with the book is that David has nothing important to say. Every concept he talks about is done very lightly and better covered by other writers. At one point David it admits this saying, “Scott McCloud has written about matters such as these at far greater length, and with far more expertise, than I could hope to achieve.”
    Everything David writes about is a diet-version. At one point he talks about the traditional three act structure. He does his best to explain plot points and pacing, but it’s a generic point of view that can easily be found on numerous websites. It would have been nice if David elaborated or added his own view/twist to these types of things. Instead, if you want to know about plotting, structure, or pacing you’re better off reading anyone of Syd Field’s screen writing books.
    I love the part where David talks about character arcs. He tries to explain how characters need to grow from the beginning of their journey till the end of their journey. He also makes a comment about mentor figures being popular, but doesn’t really spend time explaining archetypes. It was so frustrating to read because he was clearly talking about Joseph Campbell’s Hero’s Journey, but he did a hack job of explaining it. If you want to really know about this stuff than you are better off reading Campbell's "Hero with a Thousand Faces" or Christopher Voight's "The Writer's Journey."
   Another odd thing David does is constantly makes pop culture references. I understand the need to reference well known material to make your points, but he over does it. There are times when he says “Look at Pirates of the Caribbean where they did blah blah blah..” when it would have been better if he had taken the time and elaborated more.
    “Writing for Comics with Peter David” is too watered down for anyone over the age of ten to read or gain from. Do not waste your time buying it or even skimming it for free when in a bookstore.

Heroes

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    I love TV. I love it even better when it and comics overlap, but for some reason I was a tad disappointed in last night’s premier of “Heroes.” The episode was re-edited from the version I saw earlier this summer. In what I saw, the pilot was a 2-episode premier-event, NBC didn’t like that so they re-edited the show so that the first two episodes could stand alone. So if for some reason, this week’s episode didn’t click with you, just hang on for one more week. I promise it gets better.
    Then, to hold you over until the second episode airs, NBC has launched an online comic taking place in the “Heroes” universe. Even cooler is the fact that it was drawn by Michael Turner. More artwork and "Heroes/Comics" stuff can be found at 9th Wonders.

September 25, 2006

Boondocks Gets Longer Hiatus

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    “The Boondocks” one of the greatest comic strips of all time, has been on hiatus since last February. New strips were supposed to start running next week but Aaron McGruder, the strips creator, just announced that the hiatus will last indefinitely.
    For anyone un-cultured enough to have read the strip before, its about a black family living in the suburbs that cracks on everything from politics, racism, BET, and about everything in-between. I have the first two collected volumes and the first season of the cartoon that ran last year on Cartoon Network.
    In a press release, McGruder says that he plans to start doing the strips again but isn’t ready yet. He says that he focusing a lot of energy on the second season of the TV show and has other comic ventures he wants to finish before returning to the daily comic strip.
    "It's my understanding, in the communications with Aaron and his agent, that the biggest problem is finding the right time to make a decision," said Lee Salem, president of the “Boondocks” strip distributor told the AP. "He's not ready to do that at this point. I don't know the answer to (the comic's future)."
    I’m all about McGruder giving attention to the TV show, but I’m really sad the new strips have been put on hold.

September 23, 2006

Making Comics

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    I finished reading Scott McCloud’s “Making Comics.” For those of you who are unfamiliar with the comic-academia, McCloud first proved himself an analytical genius with his first book “Understanding Comics,” way back in 1993. In it, he broke down comics and gave his definition of the medium, as well as how it works. His next book, “Reinventing Comics” hit the shelves in 2000. In it he analyzed things like, the industry, the format, and digital comics.
    With “Making Comics,” his thickest book to date, he does exactly as the title describes, he explains how to make comics. He focuses on things like layouts, how to draw, how to letter, how to tell a story, and a billion other things.
     For anyone interested in the field, this newest book is another must read, and although the content is valuable, its McCloud’s tone and storytelling abilities that make it stand out. I mean let’s be honest, this is a text book. This is something you would read for a class or for a homework assignment. But the way McCloud handles it, it doesn’t feel like homework. It feels like a personal discussion with an old friend about a medium you both love.
     My favorite chapter of the book was the first part which talks about layouts, pacing, framing, and things along those lines. I probably liked it the best because I’m working on “DAD!” my documentary graphic novel and it’s exactly the kind of help/input I need.
    The chapter that I found the least interesting was the part where McCloud talks about drawing. He talks about form, drawing tools, and all that stuff.  It’s very well done and anyone interested in drawing should read what he has to say. I just didn’t connect with it because I’m not an artist (by artist, I mean a person who draws or paints) and never will be one.
    After each chapter, McCloud has added notes and exercises. In a sense it’s a tad weird that he included the “notes” sections in the book because they almost feel like “special features” you would find on a DVD. If anything, these note sections, make the book even more text-book-(but in a goodway)-like and the perfect thing for a college course or someone trying to teach themselves how to make comics.
   There isn’t much else I or anyone else can say about “Making Comics” other than you should have already bought it and if you haven’t then get off your butt and go get it.
   Even cooler, if you’re a McCloud fan, is that he and his McCloud-Clan are doing a 50-state-tour over the nex year! (The Tour Blog) He'll be doing D.C. and MD on Oct. 14th. I'm definitely going to see him at SPX and then at his book signing at Politics & Prose. I've even tried emailing McCloud to see if he would be willing to do an interview with me at the bookstore, like the one I did with Brad Meltzer, but he's not responded. Of course I can't blame him for not responding. He's a comic-genius busy doing a state to state tour and I'm just one of many fans.mccloudchallenge2.jpg

September 22, 2006

Brad Meltzer Q&A


It took me a bit of time, but I finally got the full Q&A from my Brad Meltzer interview typed up. The interview took place at Politics & Prose bookstore in Washington, D.C. and it was recorded so that everything you read is verbatim (except for stupid typos and lack of commas).

From Meltzer's website:

"Brad Meltzer is the best-selling author of The Tenth Justice, Dead Even, The First Counsel, The Millionaires, The Zero Game, and his newest novel, The Book of Fate. He's also the writer of the Justice League and the co-creator of the TV show, Jack & Bobby."

I should have a full article based on this interview, the book, and two events I went to with him by next week. The Q&A is after the break.

Continue reading "Brad Meltzer Q&A" »

Tom B. on Super Heroes

Marvel Editor Tom Brevoort is always fun to quote. In his blog he writes:

“Here's the thing: the characters are invulnerable. I'm not talking about super-powers here; I'm talking about the ability to survive bad stories and bad times and to live on and prosper again. The primary Marvel characters have been around for four decades at this point, and have been translated into animated cartoons, movies, television shows and more toys than you could ever hope to collect. They've become immortal, and a part of the pop culture landscape.”

Wait there’s more:

“Think of the worst mistakes you can come up with from years gone by: Professor X dead? Fixed. The Human Torch married? Fixed. Spider-Man a clone? Fixed. And then think about all of the stuff you're worried about that's happening today--do you truly believe that it's any more difficult to repair or redeem any of it than what we've seen in the past? I sure don't.”

     Basically what he’s saying is that everything going on in comics now, doesn’t matter. It doesn’t matter who gets killed. It doesn’t matter that Spider-Man revealed his identity. NONE OF IT MATERS because at some point in the future it will be fixed or changed.
    If what we are reading doesn’t matter, this makes me wonder, why bother reading comics?
    I think it’s for the ride. I think it’s because we want to read stories and be entertained by them. Though in comics it does make it frustrating knowing that the “now” doesn’t matter, but comics are an odd medium. You don’t have TV characters last for forty years, (well maybe on soaps but they are just as bad as comics with changes and fixes).
    How boring would a TV show get if it lasted for four decades? I love “Grey’s Anatomy” but the show could never last 40 years. The producers and writers would run out of stories to tell with the main characters or the main characters would be thrown away and new cast would come on board. At that point it wouldn't be the same show anymore. I mean look at "ER" compared to what it used to be. It's a totally different show, except for the setting.
    There are changes and fixes in comics because you need that up and down feel for drama. But in the long run, all characters return to their natural form, only to be changed again down the line. So whether you are pissed about Clor(cloned Thor) or whatever, just suck it up and know that given enough time, all will be changed again. 

Wizard Loves Me

    I won a contest from Wizard Magazine. They were offering a free copy of “Xenosaga III,” (a game I want but didn’t want to spend money on), if someone could connect the game with the TV show “Eureka” in six steps.
    Using IMBD.com I said, “Assitant Scott is voiced by actor Brian Chase. Brian Chase was on an episode of "House." Salli Richardson was on an episode of "House." Salli Richardson is Allison Blake on "Eureka".”
    I was the first one to answer it, so I’m getting the game!xenosaga.jpg

September 19, 2006

Brad Meltzer is setting records


    NY Times Best Selling Author Brad Meltzer has made history by being the first writer to top the NY list and Diamond Comic Distributors top 100 at the same time.
    “The Book of Fate” is tearing things up in book stories while “Justice League of America” is kicking Civil War’s ass in comic book stores.
    I really enjoyed “The Book of Fate” but I’m holding off on JLofA until it hits graphic novel form. Also, I should have my Brad Meltzer interview transcribed by the end of the week.

Spider-Man: Mary Jane's Death


    It seems the above pic that Marvel leaked to the internet to cause a buzz was from “Spider-Man: Reign” issue one, according to their solicitations for December. Of course there is supposed to be a huge plot twist/reveal happening in “Civil War” issue 4, which hit shelves tomorrow, so maybe MJ will die in continuity.

September 14, 2006

"Sub Mariner" Movie Has a Director

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     I don’t know why I’ve not read this anywhere else yet, but The Hollywood Reporter is saying that a director has been signed onto the “Sub Mariner” movie. Jonathan Mostow, of “Terminator 3” will be helming the live action film staring Namor. Universal Pictures is the studio behind the film while Kevin Misher is producing for Marvel Studios.
    I’m sort of surprised that this is being made. I would have thought that a more marketable way to do the movie would be to have Namor in the third “Fantastic Four” movie and then follow that up with a Namor spinoff.
    So far no cast or details have been announced about the plot of the “Sub Mariner” movie.

September 13, 2006

Pride of Baghdad

      There is a 10-page preview of "Pride of Baghdad' on MySpace. If anyone is on the fence about getting this book, check out these pages. I'm a fan of Brian K. Vaughan's work, but this is on a whole new level.
     The story is based on true events, from 2003, when the U.S. bombed Iraq, allowing four lions to escape from the Baghdad zoo. Even if you aren't interested in comics you should consider checking this out.

Nextwave 11


     I just got the first "Nextwave" trade and I decided I really like Stuart Immonen's work, so I went to his website to learn more about him. Once there I found this bad boy, the cover to Nextwave 11.
    For you non-comic book readers, Civil War is this massive crossover that Marvel Comics is doing. The title has been delayed and because of that, a lot of tie-in books have also been delayed. A lot of fans are upset and blaming the writer Mark Miller.
    So I found this cover for "Nextwave" hilarious" and if you read comics but haven't picked this title up, you should think about checking it out.

September 12, 2006

Back in Black

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     It was announced yesterday that Spider-Man will be returning to his black costume. Spidey Editor Axel Alonso & Joe Q. wants everyone to believe that the motivation for this wasn’t really to match up the comics with “Spider-Man 3.”  Alonso tells CBR:

“For the most cynical fans out there who'll say Marvel wants Spider-Man in the black costume because of the movie, they're only 10% right. The beauty is we knew 16 months ago as we were planning out the thrust of "Civil War" and beyond, how all of this laid out beautifully for us to move into the future. So, the thing is the timing is perfect. We understand the motivations behind the change. The same as when we were planning "Civil War" and people would guess that maybe Cap would be the pro-registration guy and some complained that he would be, but then they saw how it was rendered and why he was motivated to do what he did. That's what's driving us right now. Character motivations and how they react to what's going on around them.”

     That’s all crap. The motivation was that they wanted to link the comics to the movie. The change of costume isn’t story driven.
     Look at the other announcement that came yesterday involving Spider-Man:   “Spider-Man Family” which will feature a 22 page main story set somewhere in Spider-Man’s past with a short back up story.
     In an interview with Newsarma, the writer, Sean McKeever says that upcoming story lines involve the black suit, sandman, and venom. Since I’m a fan of McKeever’s and a regular at his site I asked if the higher-ups told him to incorporate those story points or if they were solely his idea. He said they he was given him.
     It’s not that I don’t understand why Marvel is trying to link up the comics with the new movie. It makes sense to draw in new readers. But Alonso & Joe Q. should just be honest about it instead of trying to play it off as “Ohhhh nooooo we wanted to do this all along. It’s just dumb luck that it works out this way."

September 11, 2006

Joss Whedon is taking over “Runaways”

    Joss Whedon is taking over “Runaways” when Brian K. Vaughn leaves! This was announced today in Baltimore during a retailers seminar. Joe Q. also announced it during an interview on Newsarama where he said:

“Quite simply, Joss and Brian K. Vaughan speak quite often and I guess they got talking Runaways, which is one of Joss’ favorite titles. When Joss heard that Brian was leaving he called us up and asked if he could do the story following Brian’s last.
    So, while I would love to tell you that I used my powers of manipulation and seduction to lure the ever-illusive Whedon out of it’ natural habitat within the jungles of Hollywood, I had nothing to do with it but I’m thrilled nonetheless. And Michael was hand picked by Joss to illustrate the story. This is fantastic for Michael as I feel he’s a brilliant talent in need of wider recognition and I think this will be the project to do just that!
    What Brian along with co-creator Adrian Alphona has managed to accomplish with Runaways is truly astounding. It was launched during a time when the market was completely unresponsive to anything that wasn’t starring recognizable characters and yet here it is still healthy and chugging along. Joss’s desire to write the next storyline is only going to cement this book further into the minds of fans and retailers as a must read title similar to X-Men or Spider-Man.
    This of course is in no way a slight to the work that BKV has done on this title, Joss just comes from that Buffy world and there is no discounting the huge throng of people that follow his every move. To be honest, the person happiest about this is BKV, because Joss brings his white-hot spotlight and shines it on his baby.”


    
The news of Vaughn leaving the title broke last week, which I wrote about here. I’m thinking if Whedon is taking over I have no choice but to continue reading “Runaways.” Newsarama also did an interview with Whedon which is here.

September 10, 2006

Harvey Awards 2006

I went to the Harvey Awards and found it pretty darn boring.

I guess I had wrongly thought that because it was comic books it would be more exciting, but it was like any award show in the sense that it was really drawn out.

Follow after the break to see the winners.

Continue reading "Harvey Awards 2006" »

September 09, 2006

Baltimore Comic-Con was Evacuated

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[Above: Don Rosa (Uncle Scrooge) stands amongst the thousands of evacuees]
    At around 11 a.m. this morning, fire alarms sounded at the convention center in Baltimore forcing a technology convention and the Comic-Con to evacuate.

    At the time the alarm went off I was at the Image booth waiting to talk to Erik Larsen (see previous post) when I noticed that the fire emergency lights on the ceiling were flashing. An announcement soon came over the P.A. system saying that they were evacuating the building and that everyone must leave.

[Above: Scott Kurtz (PvP) right before the evacuation happened]
     Scott Kurtz and Larsen were talking about how they have never seen fire alarms go off at a convention before, nor have they ever had to evacuate from a convention.

     “If I’m going to die at least I’ll be taken out at a convention,” Larson said to Kurtz while signing an autograph for the last person waiting in his line.

     Looking around the showroom, it was clear a lot of the people with booths were confused about what to do. They didn’t want to leave their stuff because they were worried someone would get back first and take it. So some were doing their best to hide all their items or they stacked up everything they could and took it outside with them.

    Some of the other Image people were laying t-shirts over their books, while others were putting books and graphic novels on the floor.
     Since I had a press pass and knew I technically didn’t have to leave unless a police officer told me to do so, I waited until I was the last one to leave. Because I was the last person to leave (other than two convention staff members who were yelling at me to evacuate) I got some really cool photos. Everyone was standing outside the glass windows of the completely empty lobby. I mean thousands of people just standing outside. I can’t wait to get my film developed to see how they turned out.

     After about 25 to 30 minutes, people were allowed back into the convention. I sent an email to one of the guys in charge of convention and left a voice mail for the conventions PR person. Hopefully they’ll get back to me and let me know what happened.
Updated:

I got a call back from a friend who works at Camden Yards. He told me that a sprinkler went off in the right half of the convention center, where a technology convention was happening. Alarms automatically went off and then the fire department had to come turn off the water.
[Below: Tons of fire trucks showed up]

Erik Larsen/DAD!

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    The only person I really wanted to talk to today at the convention was Erik Larsen. For all of you non-comic book people, he’s the head guy at Image Comics. Whether or not you agree with his opinions, I think most people will say he’s an intelligent guy who has a strong understanding of comic books and how the industry works.
    After waiting in a brief line, I got to talk to him one on one (because the building was being evacuated, see the post above). I told him that I was working on a personal project, not something I’m really considering submitting to places, but even so I was hoping for advice. 
    Larsen said, “Let’s see what you got.” So I handed him my test-pages for “DAD!” the documentary-graphic novel I’m working on. I explained to him that I could tell something was wrong with the layout or overall aesthetics but that I’m just not experienced enough to know what. I asked him to not just tell me “This sucks” but to please explain why it sucks.
    “So you just have these actors posing for you?” he said after thumbing through it real fast. He also laughed.
    “No no no,” I said. “That’s real. It’s a documentary graphic novel.”
     He got a really surprised look on his face, said “Oh wow” and then went back to the beginning and actually read it.
     About halfway through he asked me some things, like who took the photos and that kind of stuff.  I explained to him that for these pages, my neice did the photography, but that for the rest of the graphic novel I did. I also explained that I have a film background and “shot” the whole thing as if I was doing a regular documentary on DV. 
     Larsen just continuted to read it and was nodding to himself as he was going through. When finished he simple said, “I really don’t know what to tell you. This is different. I’ve never seen anything like this before. I think it works. There is a problem with the lettering being too big, I’m guessing you are doing that yourself?”
     “Yes,” I said. “I’ve been teaching myself how to letter for the past month.”
     “Make the lettering smaller and then another thing you may want to do is start looking for photos that have dead space. You want to try and take advantage of that dead space so your panels don’t look so busy, but other than that it works.”
    MAN! So there you have it. A comic book professional I really respect looked at my project and didn’t say it sucked! It just feels nice to show the project to someone like him and see that he got it. Yes he laughed, but once he realized it was a documentary he got it!
     So now the next step is to finish teaching myself lettering and to get about 15 to 20 pages done. I want to take those pages with me to SPX in a month and talk to some of the smaller/indie publishers about what they think.
    I’m also really hoping to get a chance to to show it to Scott McCloud.  I’m trying to set up a one-on-one interview with him, like I did with Brad Meltzer (I promise I'll post my Q&A soon. I just need to write the article first). McCloud is another creator who I really respect.

What I got @ Comic-Con

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What I got at the convention:

$19.99 – “Making Comics” by Scott McCloud

     EVERYONE needs to read Scott McCloud’s books. I was extremely excited to get this from my comic book store, but it turns out Diamond screwed up their order. I couldn’t stand waiting for it, so I got it at the convention.

$16.99 – “The Life and Times of Scrooge McDuck Companion”

    I was a big “Duck Tales” fan and only recently discovered the Scrooge McDuck comics. The orginal “The Life and Times” is one of the best graphic novels I’ve ever read. The pacing and overall story telling is just amazing. So I had to get this follow-up and I loved that I got it signed by Don Rosa.

$12 each – “Amelia Rules” Vol. 1-3

     This was my favorite comic book from Free Comic Book Day, this past spring. When I saw the series creator there selling the graphic novels I HAD to get them. Although I’ve only read the one comic, I was able to tell the creator how much I enjoyed it.

$10 – Actor Comic Presents

    I didn’t really want this, but bought it to support A.C.T.O.R., which recently changed their name.

$5 – “Batman: Son of the Demon”

    I’ve been looking for this since last spring so I love the fact that I found it for so cheap.

$5 – “True Story Swear to God”

    My comic book store tells me the order for these on Diamond is all back listed and they can’t get a copy till more are printed, so its cool I got one for so cheap.

$4 each – “Abadazad” Vol. 1 & 2

     I’m interested in seeing how they use prose and comic pages in union through these books.

$1 – “Dragon Lance” graphic Novel

     It was only a dollar. Don’t mock me.

Free - “Jackass Number Two” Poster

Free - “Transformers” Poster

Free – “Fanboys” bumper sticker

Free - "Eskimo Dave" poster

Lisa & Craig

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    I get my comics and graphic novels from Neptune Comics, which is in Wisconsin. I live in Maryalnd/DC. I have NEVER been to Wisconsin, though I hear they have nice cheese.
     Well the owners of Neptune Comics, Lisa & Craig, came into town for the Baltimore Comic-Con and Retailers Show, so Samantha and I met up with them today [Above: Samantha and Lisa].
    We were going to do lunch with them at noon, but when the convention was evacuated (see two post above) we decided to do lunch then. Since I wanted to share with them a taste of Ocean City we went to Phillips.  Now the one in the Inner Harbor is no where near as good as Phillips Crab House back home at the beach, but it was better than most other seafood places.
     The cool thing about meeting Lisa & Craig is that they are really nice people. On top of that, they are both really funny. I actually had no idea that Craig was as funny as he was. The guy is like me and tells jokes non-stop. 
    Other than a slight accent, the only give away that they were from Wisconsin was that they didn’t know how to pick a hard shell crab and Craig was confused about how to get the meat out of a shrimp tail. 
    I’m also really excited because tomorrow they are taking the train and coming to D.C. so I can show them around the monuments. I’ll probably take lots of photos with both my digital and professional camera, so expect a photo-dump tomorrow night or Monday.

September 05, 2006

Brian K. Vaughan Leaves Runaways

runawaysv1hc.jpg    Damn. First Mark Bagley leaving "Ultimate Spider-Man" now the creators of "Runaways" are leaving! This sucks.  Brian K. Vaughan posted the announcment on his website saying:

     There will be a more in-depth article about this soon, but it sounds like Marvel.com is posting an announcement today, and I wanted you guys to hear it first. Anyway, I'm not one for burying the lead, so...
    After working together on the series for more than four years, Adrian Alphona and I will be leaving Runaways with Issue #24.
    And no, this is absolutely not because of creative differences. I love editor Nick Lowe like a kid brother, and Joe Quesada and everone at Marvel have obviously been nothing short of insanely supportive of our little book since the first page of the first issue.
     This was entirely my idea. While Y: The Last Man and Ex Machina have planned endings, I've always said that I hoped Runaways would last forever, long after I left the series. I never wanted Runaways to become a vanity book that was dependent on its original creators' involvement; I wanted our kids to be able to eventually run away from us, and find new life apart from their "parents."
     I can say with a great deal of confidence that these next five issues are the pinnacle of the series, and Adrian and I decided that the best thing for the Runaways would be to hand them off to new creators on this high note, rather than risk overstaying our welcome until we ran ourselves--and the book--into the ground.
     I love these characters more than you can possibly imagine, and I swear I wouldn't abandon them unless I knew for a fact that they were going to end up with the very best creative team possible. Marvel will be announcing that new team in about a week, and to say that you guys will be thrilled is probably an understatement.
     As for Adrian and me, we've already started talking about possible new projects to work on together. I'd really like to take time to give birth to a few more creator-owned books, and I hope you Runners will follow us wherever we end up next.
     No one thought Runaways would last six months, but after nearly forty issues and a few Eisner nominations, our sales are still going up (especially with the digest collections in bookstores), making our series one of the most successful comics starring all-new characters to be launched by any major company in recent memory. I'm extremely proud of the entire Runaways team, some of whom will definitely be sticking with our kids, and I'm so grateful to all the undyingly loyal readers out there, the best group of friends a comic book could hope for.
     Keep running,
     BKV

1

Fake Marvel Editor Ends

     The fake-Marvel Editor simulation is over and Tom B posted his first sum up of the event. I found the whole thing interesting, but it was weird because a lot of the stuff that people are saying they “learned” from the simulation is stuff I learned from playing Sean McKeever’s “Comic Book Mogul” game.
     The biggest thing from the game is that attrition (drop of sales every month) is a bitch and you constantly have to do something to have the book stay level or rise in sales. You have to change the price, bring in new talent, do extra promotions… something.
     The same thing happened in the fake editor simulation with the fake editors struggling to fight attrition. It wasn’t until now that I realized that McKeever’s game was much more realistic than I had previously thought.

September 04, 2006

The Lackluster of Lackluster World

lackluster.jpg      Since I’m soooooooo famous, I received a copy of “Lackluster World” in the mail for free… well it was just a free promo thing I happened to get signed up for.  The comic is written by Eric Adams who recently did a series of columns for Newsarama called “Sequential Smarts,” which was really good.
     I think because I enjoyed “Sequential Smarts” so much, I was expecting a lot from “Lackluster World,” but I was pretty disappointed after reading it. It’s not that it’s a BAD comic, it just comes off more “blah” than anything else. 
     The main character Fahrenheit Monahan is that cliché archetype that’s been done over and over again, probably the best in “The Office.” Fahrenheit is a guy who hates his job and just goes through the motions while bitching and complaining about everything.
     The story was slow and there wasn’t a real hook to draw you in, until you got to the very end, but the comic was so slow paced I had trouble forcing myself to read through the whole thing. 
     Making it worse is the dialogue. The dialogue is bad. It’s clumsy and very stilted, but I don’t think it’s because Adams can’t write dialogue, I think its because he intended it to be that way. I think the dialogue is supposed to come off as “stylized,” which is something I’ve seen before in artsy movies. …but since dialogue is my FAVORITE thing ever, having the bad/stylized dialogue just draws me out of the story.
     There is a strong sense of humor in the comic, but at times its too over the top. Fahrenheit has a brother and sister named Kelvin and Celsius and they are Jesus-freaks. Now, I’ve known a lot of super-religious people in my life… I mean hardcore Jesus-freaks but these characters in the comic take it to a new level where its just unbelievable. 
     The art is weird, but not in a bad way. It’s just different and I think it works very well with the overall tone of the story. I can’t really say much more about the art because its just not my thing and its hard for me to critique or analyze it.
     The best thing about the comic, other than it was free, was that in a brief letter that was sent with it, Eric Adams mentions that he is working on turning “Sequential Smarts” into a book. That I would definitely buy!

September 02, 2006

Trade Waiting: Identity Crisis

Since I'm meeting Brad Meltzer in a few days I thought I should post my Trade Waiting piece I did on “Identity Crisis (Trade waiting was a column I did for a website for a few weeks until I had a falling out with the sites administrators).

Title: Identity Crisis
Story: Brad Meltzer
Art: Rags Morales
Publisher: DC Comics

Basic Plot Summary:

Sue Dibny, wife of the Elongated Man is killed. A funeral is held and afterwards, while the majority of heroes in the DC Universe go to hunt down leads, a group of five heroes gathers together saying that Dr. Light killed Sue for revenge of what they did to him.

The group confronts Dr. Light, but with the help of another villain he escapes. It is revealed here that the group of heroes used magic to lobotomize him after he raped Sue many years ago.

Meanwhile the Atom's ex-wife, Jean Loring, is attacked by the killer. A note is sent to Lois Lane warning her that they know she is Superman's wife. Robin's father is sent a gun and told to protect himself.

The mysterious murderer then hires a low-tier crook named Boomerang to kill Robin's father. Boomerang has recently been reunited with a long lost son he wasn't aware of. Both the son and Robin mourn their losses when their fathers kill each other.

Continue reading "Trade Waiting: Identity Crisis" »

September 01, 2006

Death of Mary Jane Parker?

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    Earlier this week this photo was leaked to the internet by Marvel. They have tried to make it seem “hush hush” but they obviously did it on purpose. In this week’s “New Joe Friday’s” at Newsarama, Marvel Editor and Chief Joe Q gave seven different explanations to the photo.
     It seems clear that with the Spider-Man unmasking fading, they are just stirring the pot, looking for the next big twist/event tie-in.
     Personally, I’m not the kinda guy who gets upset over an unmasking or stupid stunts, but I don’t consider myself a “fan boy.” I also think that the publicity stunts have gotten so over the top that a lot of people are just shrugging.  It’s like how they say violence on TV desensitizes kids to violence.  Well stupid stunt after stupid stunt desensitizes people from Spider-Man stunts.
     In terms of Mary Jane and should she be married to Peter Parker, I like them as a couple because since I started comics they have always been married. If a writer cannot handle the dynamics of a marriage then they should simply be pulled off the title instead of blaming bad plots on the two characters being married.
    The reasons given as to why Peter and MJ got married in the first place was because Stan Lee was going to have them get married in the newspaper comic strips. Marvel didn’t want the comic strips to do something like that first so they had the characters get married in the comic book.
     Who knows if MJ will actually be killed in any of the Spider-Man books and even if she is killed, they will bring her back to life. It may be a few months or a few years, but she’ll be back. There will be some stupid or convenient explanation as to how she was brought back to life or how she was never really dead in the first place.

Continue reading "Death of Mary Jane Parker?" »

August 28, 2006

Age of Bronze

age_bronze-01.jpg    I’m bummed out. I was really excited to read Age of Bronze Vol 1 & 2, but I couldn’t get into it. I’m well versed in Greek mythology and Eric Shanower’s take on the Trojan War is so different that I spend more time thinking “That’s not right” than simply accepting this is HIS version of the war.

    I first read “The Iliad” and “The Odyssey” in third grade. It was the same year that I first read “The Hobbit” and the “Lord of the Rings” trilogy. So it was a BIG year for me and only further validated my love for the fantasy genre.

    Since then I’ve read tons of Greek plays and myths for fun as well as in literature classes. I also took mythology classes in high school and college. …because I’ve read translations of the classic stories I have my own interpretations of how Greek mythology works.

     For example, one of the first things I noticed in “Age of Bronze” is that the Greek Gods are missing! The gods are major characters in the “Iliad.” You see them as flesh in blood manipulating each other and humans on the battle field and behind the scenes. So it’s very hard for me to accept a re-visioning of the Trojan War without the gods. I mean come one… didn’t we see that in Brad Pitt’s “Troy” and didn’t it SUCK?

     In the afterward of Vol. 1 of “Age of Bronze,” Shanower comments on this by saying, “I’ve chosen to downplay the supernatural element in order to emphasize the human element. The only fantastic details I’ve retained are dreams and visions. And when you think about it, these aren’t necessarily as supernatural as they might first appear… but no gods in the flesh.”

     Let me try to put this in more present-day terms. A lot of geeks and non-geeks revere the “Star Wars” movies. Its how a lot of people in literature look back at things like the Greek plays or the “Iliad” and “Odyssey.” So… if “Star Wars” was old enough that it was in the public domain and anyone could do anything they wanted with the characters, how do you think people would react to having it revisioned with everything “force” related (supernatural stuff) taken out of it? -------see! That’s why I can’t read these books.

    And don’t get me wrong, it’s not JUST the “god stuff” that Shanower has changed. He has people that should be kings being shown as cow herders. With some characters he has them acting completely different than they do in any piece of literature.

    There is nothing wrong with Shanower writing about his version of the Trojan War, but it’s so far from how I see it that I just cannot read his books.

August 24, 2006

Ultimate Alliance

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JimSmash, one of my favorite blogs to read, posted this:


If you haven't seen yet, check this out - its the trailer for the upcoming video game ULTIMATE ALLIANCE (starring Marvel characters).

Click here to watch.

Now forget the whole game aspect... Instead of Marvel pumping out lame live-action movies, they should be doing full-length 3D animated movies similar to the look & feel of this. Smooth out the animation, tweak the modeling and amp it up slightly and they'd be golden. With animation, you're not as limited with budgetary constraints and over-priced actors as with live-action. The skies and imagination is the limit! Imagine the Dark Phoenix Saga done this way, but with the art direction looking like Byrne's artwork!! Oh man!!!

August 21, 2006

Top 100 Graphic Novels

vforvendetta.jpg       I was looking over the top 100 graphic novels for the past year and I found it interesting that out of them only two titles weren’t magna.  At almost the bottom of the list were Frank Miller’s “Sin City,” which is published by Dark Horse and Alan Moore’s “V for Vendetta,” which is published by DC Comics.
     Even more shameful is that both non-Japanese-style graphic novels are movie related and received extra sales because of that. I think that’s so lame. Traditional and Indy graphic novels should be making up the top 100, not all this magna junk that is overly stylized and has to be read backwards!

22 Panels That Always Work

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    I saw this posted all over the blogshere today. I don’t like repeating other things, except that I found this really useful. From what I seem to understand, Wally Wood was an editor at Marvel Comics for many years. During his tenor he had to deal with a lot of new artists who literally had no idea what they were doing. To cope with that he created 22 panels and gave them out to artist. He called them “22 Panels that Always Work.”

    It seems some guy saw the original sketches being auctioned off somewhere so he bought them, put them together and scanned them. His goal was to put them on the internet in the hopes of helping out any other fledgling artist that needed help.

    Right now I’m in the middle of re-writing “Summer Girl” but as soon as I wrap on it I’m going into production on my graphic novel “DAD!” I sincerely think that this (plus other research like Scott McCloud’s books) is really going to help me out.

August 19, 2006

Mavel's Gay Policies

rawhidekid.jpg     Marvel Comics has had a standing policy for like five years or so that said if a gay character was the lead in a comic book then that comic must be rated “Max” (the equivalent of an R rating). I know many people have found this upsetting, including me, and it has been a hot topic for the past few weeks.

    The policy came about when Marvel released a book called “The Rawhide Kid” where a classic cowboy character was re-envisioned as being gay (this was years ago, long before “Brokeback”).

    It doesn’t make sense why having a leading gay character makes a book unappropriate for anyone under the age of 17. If it doesn’t have sex, violence, nudity, or vulgarity why can’t it be rated something other than “Max?” I mean this is 2006 not 1906.

    Well in “New Joe Friday’s” Joe Q., editor of Marvel, announced that this policy is no longer in existence.

    Here is an exact quote from Joe Q.:

“I’m glad you asked me this, fortunately this question has been raised again and it’s given us the opportunity to spark some internal discussions and revisit this issue especially in light of the fact that we have characters like Freedom Ring (who is the current star of Marvel Team Up without much fanfare mind you) and that we’ve had more gay and lesbian characters appearing in Marvel comics than ever before. In many ways, the old policy over the last few years has just sort of faded away, so let me just say that there is no longer any policy.”

    I think it’s nice that the policy is no longer in place, but its sad that it took so many protest and so long for it to be removed.

August 17, 2006

Prince Georges County Library System Sucks Part 2

greenbelt library.jpg     I was checking out the library and the first thing I did was scan over their screenwriting books. They didn’t have any I hadn’t read or didn’t already own.
     After that I moved onto checking out the graphic novels. It took me a while to find them. It seems PG County Library policy is to keep all graphic novels in the kid section. I guess this has to do with the mentality that “comic books are only for children.” Even worse is that graphic novels don’t have their own book shelf or anything, they are mixed in with the children’s books! 
     There was a copy of “Black Hole” next to a Dr. Seuss book. I’m sorry but that’s just fucked up.  “Black Hole” has violence, drugs, cursing, and nudity yet they stick it next to a Dr. Seuss book because the library system feels comics are for kids? 
    I find this offensive on so many levels. As a comic reader its wrong to dumb down and not give comics the respect the medium deserves. Comics can be just as artsy and serious as novels or films. 
    The second thing that’s messed up is that kids who do not know better can pick up graphic novels that are not appropriate for them in any kind of way. 
     I’m seriously contemplating writing a few letters and making a few phone calls but I have to figure out who I’m supposed to complain to.

August 16, 2006

Bagley Leaves Ult. Spider-Man

     Comic Shop News announced that Mark Bagley is leaving "Ultimate Spider-Man" after issue 110. I know he and Brian Bendis had said in interview that they wanted to break the record for longest creative consecutively on a comic and that they are about to do it, but I still thought he'd hang around a little bit longer before leaving.
     I'm sad about this because "Ultimate Spider-Man" was book that got me to start reading comics again three years ago. I was at B&N and I saw the first trade. I read it and was amazed (pun intended). From that I decided to give comic books a second chance (I first tried comics in the 90's but quit becuase of the clone-saga and onslaught messes).
    "I've had an incredible time with 'Ultimate Spider-Man'" Bagley said an an interview with Comic Shop News. "But I don't want to stagnate. Right now, Brian and I are doing some of the best work we've ever done on the comic and I think it's best for me to leave while we're on the top of our game."
     The big question is who will attempt to fill Bagley's shoes. Marvel has said the title will continue, but even with Bendis writing it won't ever be the same again.

Fake Marvel Editor

tombofmarvel.jpg  Updated @ 7:50 p.m.: Lame. Didn't get it. I think I sent my email in too late.  I’m applying to be a fake Marvel Editor. Tom B. of Marvel cooked up this idea in his blog and I’m about to email him a cover letter and resume’. I’m sure he will get a thousand of emails, but hey, I figure I might as well try. Keep reading to read Tom B.'s full post from his blog:

Continue reading "Fake Marvel Editor" »

Bats

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     So we have bats. I went out to my car at around 11:30 p.m., to get something I left in there. I saw all these birds flying around and I thought it was weird. When I got closer I realize they were bats!

    The photo here isn’t one I took. That’s just stolen from the web, but that’s basically what I saw last night.

    This morning I asked Sarah about it and she more or less said “Yeah, so? There are bats all over Maryland. We have them back home too. You’re just dumb and never noticed before.” …don’t you just love how she puts me in my place?

     I’ve only seen bats before in the zoo so having them flying above my car bothered me. It’s not that I’m scared of bats, specifically. I just don’t like animals that can bite (with the exception of snakes, for some reason I’m not scared of them).

Someone REALLY loves Wolverine

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I found this freaking photo on Warren Ellis’s site. This is a guy who got hand piercing so that he can look like Wolverine. I’m sorry, but that’s just sad.

August 15, 2006

Comic Book Creator

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    I got this as a gift from my comic store. I played around with it briefly last night, but then internet problems and being worn out meant I was going to put it off until later today.

    Lisa and Craig (owners of Neptune Comics, the greatest comic book store EVER) knew I was having a hard time doing the lettering for “DAD!” in Illustrator so they snagged this for me when they were at Wizard World Chicago.

    So far it’s really simple to use. My only fear is that it’s too simple. The official website of CBC says they are getting ready to launch a huge update. This will give users more advance options, like affecting resolution and things like that.

    I’m really excited about getting into this and seeing how it compares to Photoshop & Illustrator. I already know for a fact that it’s going to save MAD time, but I don't want to loose quality of the final product, so I'll probbally end up using all three program.

Ocean Life?

     I think "Ocean Life" may be done. I had decided to continue it. I have the next eight or so strips already written. But It seems my scanner has gone down. Honestly, I won't have the money to buy a new one till the end of the month. Maybe once I get one I can relaunch the strip or continue where I left off. I'm not sure. I'll have to send out some emails before I figure out for sure what is going on. UPDATE: seems someone is a big fan of the strip and is getting me a scanner.Everything should be fine now.

What If 9/11 Never Happened

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     I should have posted this Sunday when I first found out about it. Now I’m seeing it everywhere, so I feel like I’m posting old news. BUT I think its powerful enough that I should re-post it.

    For the Aug. 21st Issue of New York Magizine they have a 19 page feature called “What if 9/11 Never Happened.” In it they talk to various experts in different fields ranging from real estate to politics and everything in between.

     “Ex Machina” creators Brian K. Vaughan and Tony Harris contributed the final page of the series. It is the single panel from above. The panel is titled “Rudy Giuliani wouldn’t be ‘America’s Mayor’” and it’s caption says: “September 11, 2006: Sitting at his usual table at Windows on the World, former mayor Rudolph Giuliani dines alone, unnoticed.” 

August 11, 2006

Baltimore Comic-Con

baltimorecomicconposter.jpg     I just finished finalizing my press passes for the Baltimore Comic-con. That week in September is going to be crazy with Brad Meltzer and the convention! I’m so excited to be writing fun comic articles.
    I also get to meet Lisa and Craig of Neptune Comics. They are the wonderful store owners in Waukesha Wisconsin, who sell me graphic novels and one or two comic books.

Brad Meltzer

home_newphoto.jpg    Today Rocks.

    Brad Meltzer just posted his tour dates. In the comics world he wrote “Ideneity Crisis” and is doing a 13 issue run on “JLofA.” To the rest of the world he is a New York Times best selling Author.  His new book “The Book of Fate” comes out on Sept. 6th and I already have an ARC Proof copy that I’m reading.

    Giving Meltzer even more props was that he was executive producer on “Jack and Bobby” the TV show that aired two seasons ago on The WB. The writing on it was amazing.

    I sent some emails back and forth with him in June and he gave me the number of his publicist. Hopefully I can set up a meeting with him while he’s in the DC area. He will be here from Sept. 6th through the 9th. So I'm excited.

UPDATED @ 12:23 p.m.

Just worked it all out. I'm meeting with him on Sept. 6th at 6p.m. in D.C. and then going with him to his book signing. I'm also getting another book sent to me in advance and a press kit! I told the publicist that I could just get a copy off the internet and she said it would be no trouble sending it to me one.  I'll going to have to buy a third one at the book signing so I don't feel guilty.

Scott McCloud

Tour-Spot-Illo-3.jpg 

    SWEET. Scott McCloud is doing a 50-state tour over the next year to promote his newest book, which comes out on Sept. 5th. The cool this is that I couldn’t find exact dates or locations so I emailed him and asked about it or if he will be doing any seminars. He wrote me back saying:

Hi Joe --
Just posted tour dates!
    http://www.scottmccloud.com/makingcomics/tour.html
No open seminars yet, but we'll see. :)
Best,

--Scott


   I have no idea why he called me Joe. But I’m excited cause he will be at SPX in Rockville which I’m planning on going to in October. It’s only like 15 minutes away from where Sarah and I live so it’s convenient. But if it’s too crowded there I’m going to try and meet him at a book signing he’s doing in D.C.

August 09, 2006

Paneling, Pacing, and Layout in Comics and Manga

sbt2138_balloons02.jpg 

    In my quest to learn how to letter comics and find info on page layout I stumbled across this live journal entry by Rivkah who is the artist on “Steady Beat.” The woman has put together two great essays with the third one supposed to be coming out today.

     Reading these was a big help and they remind me of “Understanding Comics” by Scott McCloud. I also plan to re-read both of McCloud’s book and his new one (which comes out next month) but both are already in D.C. so I can’t re-read them until I move.

“Paneling, Pacing, and Layout in Comics and Manga”
Part 1
Part 2

August 08, 2006

Ultimate Avengers 2

ultimate_avengers2.jpg    So I finished watching “Ultimate Avengers 2” and it was 100 times better than the first one. But what I really enjoyed were the “spoofs” on the DVD special features. Basically they took clips from the first two movies and added in new dialogue spoken by the actors.
     For example… Captain America is in a hibernation tank before they revive him. The dialogue they added in was Betty Ross saying “Take Captain Solo in the cargo hold and prepare for transport to Jabba the Hut.”
    Another great one is Iron Man is surrounded by reporters. One of them ask if its true that he doesn’t wear pants under his iron suit. So he says “I thought we’ve been over this. Yes its true. I don’t wear pants. I chaff bad. I mean BAD. But you’ll have to excuse me. It’s all you can eat steaks at the house of ribs and the only thing I love more than not wearing pants is eating steaks.” Then for the rest of the spoofs “ribs’ becomes an ongoing joke with Iron Man.
     Aww man I’m cracking up watching these. I’m going to see if I can post the video. If it works I’ll also add the “Doctor Strange” preview for the upcoming DVD.
Update:
Ok to view these just right click, select “save target as,” and download them to wherever you want. They are 3gp files so you need to have the newest version of Quicktime to play them.
Ultimate Avengers Spoof
Doctor Strange Preview

I'm Starfox?

starfoxsmall.jpg     I just got "Ultimate Avengers 2" from Netflix. I popped it into my computer to watch and a Marvel-Personality-test popped onto the screen. I took it and it told me I'm some guy called Starfox. The only Starfox I know about is the one from Nintendo games. So I'm not sure who this dude is.
    I also find it weird his power is to manipulate the pleasure center in people's brains. Of course I know a few women who will admit that I can do the same thing. So maybe out of everyone in the Marvel Universe I am most like this guy. Well... actually does he have a big ego and is good at making bad jokes?

Marvel Movies

marvelmovies.jpg

Marvel released a second quarter report yesterday. I keep seeing all these post and articles about revenue and percentages and boring junk. I finally decided to look at the report myself and I found buried in it are upcoming movies and shows!

2007 Movies:
Ghost Rider (Feb. 16)
Spider-Man 3 (May 4)
Fantastic Four 2 (June 15)

2008 Movies:
Wolverine
Ant-Man
Captain America
The Incredible Hulk
Iron Man
Nick Fury
Thor

Other Films in development:
The Avengers
Black Banther
Cloak and Dagger
Doctor Strange
Hawkeye
Power Pack
Shang-Chi

Cartoons:
Fantastic Four (26 Episodes)
Wolverine (26 Episodes)
Iron Man (26 Episodes)
Iron Man (DVD Movie)
Doctor Strange (DVD Movie)

Live Action TV Shows:
Alter Ego
Skrull Kill Krew 1

August 07, 2006

Lettering Comics

cclettering.gif      So I’ve been trying to teach myself how to do lettering in a comic book. I need to learn so that I can do my documentary graphic novel about Dad. What I didn’t realize until now is that lettering is a bitch.

     I don’t know how the professionals have patients to do it. It’s tedious and you have to be anal and make sure every little detail is perfect. You have to play around with each word balloon to balance out the character and spacing. It’s such a pain in the ass.

     In fact, lettering reminds me a lot of doing sound on film productions. Which makes sense since in a movie the sound lets you hear the dialogue/hear effects and in a comic the lettering lets you read dialogue/read effects.

    Lettering, like sound in a movie, can make or break a comic. I know that with student films, the most obvious indication that they are one is bad sound quality. Maybe the levels drop out at several points. Maybe room tones don’t match. Maybe there is too much feed back or the different speakers aren’t balanced… or whatever. All of these things make a film appear amateurish. I’m learning now that the same goes for lettering and comics.

     It’s going to take me a good while to really get a hold of how to do lettering and then even longer to figure out what style fits best with the project I’m doing. I have a feeling I’m going to hate every minute of it too. Man, there aren't any letterers out there who would be interested in working with me, are there?

August 04, 2006

Hellboy 2

thumb_hellboy.jpg   Variety just has all the news lately. They just reported that Universal Pictures has greenlit "Hellboy 2."  Revolution Studios produced the first "Hellboy" but went out of buisness and "Hellboy 2" has been without a home, ever since. It wasn't Hellboy's fault. The movie cost $66 million and grossed $100. It also ranked in a lot on DVD sales.
    The main cast is already signed for the second so expect to see everyone back. Guillermo del Toro wrote the script and is going ot direct. Filming will start next april with a release date of Summer 2008. This time around, the movie will focus more on fantasy-style magic and myth as opposed to hell and demons.

August 02, 2006

Warren Ellis' Rocket Pirates

warrenellis.jpg    Kick ass Lisa of Neptune Comics passed this onto me saying “I read this and thought of you right away. You should TOTALLY do a web comic.” Basically writer Warren Ellis has decided to launch a web comic website and is looking for submissions. The question is… what should I send or what should I do?  Should I do some NICE* “Ocean Life” strips? Should I try doing “DAD!” documentary that I’m still filming/whatever you want to call it? Should I do something completely new? Hmmmmmmmmmm not sure. I’ll have to spend some time thinking. If anyone has any ideas let me know.

Press Release from Warren Ellis: 
BAD SIGNAL: Who wants to be a Rocket Pirate?
     Joey Manley talked me into curating a mass webcomics site.  I've  known Joey for getting on for six years now.  It's partly my fault that  he got involved with comics at all.  I suspect this is his  revenge.

Continue reading "Warren Ellis' Rocket Pirates" »

Spider-Man 3 Blog

sp3blogs.jpg 
Sony recently launched the official "Spider-Man 3" blog. Nothing too interesting yet, but they did add videos of the cast from thier appearance at the San Diego Comic-con.

August 01, 2006

TAk leaves "Spider-Man Loves Mary Jane"

     Tak is an artist on "Spider-Man Loves Mary Jane" which is written by Sean McKeever. Tak just announced that he will be leaving the comic after issue 15.
     I'm really sad to see him go, but as a fan I understand. He is moving to Japan to try and make it big as an artist over there.
     This means that Sean now needs a new artist for "SMLMJ" and since I'm a fan I figured I'd try out for the part. 
    So here is my Audition (note: MJ has long red hair and her best friend is named Liz who has spikey hair. MJ is always sad because she is torn between Peter Parker and Spider-Man. She has no idea they are the same person):

No-Prize

Noprizes.jpg 
Tom B. at Marvel was explaining in his blog what "No-Prizes" were. They are given out when readers see a mistake in continuity and then think of some crazy reason as to why it really wasn't a mistake. I was inspired by this and came up with my own "No-Prize" attempt:
(note: if you don't know anything about Marvel Comics you may want to just skip this since it won't make sense)

No-Prize: Explaining the 90's: 

     Just like every decade there are good things and bad things that came from the 90's. The exception to the 90’s is that the general public perception of it is that it’s bad. In fact the 90’s was a mistake.
    Yet… it wasn’t.
    It all started on Jan. 13 1990 when two marvel editors (I won’t reveal their names for fear of them being bombarded with hateful emails) where sharing a pizza topped with soy-cheese and seasoned tofu (this was before being vegan was the cool thing to do and the editors were seen as outcast from society).
    Little did they know, the tofu topping had accidentally been processed with mutated platypus meat. The next day the two editors had a bad case of the runs and a low grade fever that caused their temperature to reach 96.616 degrees. 
    When the editors awoke and healed from eating the food, they realized that they had developed the power to tap into the real Marvel Universe (Earth 616). They would do so through visions, but since this was real life and powers like that are limited, the only thing the editors would see in their visions was copies of Marvel Comics written by “Perky” Paul Jenkins who lived on Earth 616.
    Unlike the Paul Jenkins from the real world, Perky Paul was a hack writer. But the two real-world editors were so proud of their newfound powers that they were too close to the material to realize it was crap.
    Note: Marvel Comics, even those written by hack writers, on Earth 616 are considered historical legal documents. This means that they re-tell events that actually happen on Earth 616.
    The two editors decided that the real world Marvel Comics should reflect the things they saw in their visions, IE the things the hack writer adapted from real events on Earth 616. The editor’s reasoning was that at the time “continuity” was extremely popular and they figured nothing was more in continuity than actual comics from Earth 616.
    So you see the 90’s were not a mistake at all. They are adaptations of adaptations of the real events that happened on Earth 616. The “real” world Marvel Comics isn’t to blame for the Clone Saga or Onslaught. It’s all Perky Paul Jenkin’s fault for writing up poor recounts of events from Earth 616.

July 31, 2006

Brokeback Gotham

It is official: Heath Ledger has in fact been signed on to play the Joker in the next Batman movie. Rumors have been circulating for weeks that this was the case. Personally, I feel he can pull it of. Over the past few years Ledger has proven his acting abilities. I also trust Christopher Nolan. I mean this is the guy who did "Memento." If he says Ledger is right for the part then I believe him.

heathledger.jpg

Official Press Release

BURBANK, CA, 31 July 2006 - As a follow up to last year's blockbuster Batman Begins, Christopher Nolan is set to direct Warner Bros. Pictures' The Dark Knight, written by Jonathan Nolan, based on a story by Christopher Nolan and David Goyer. The film will be produced by Emma Thomas, Charles Roven and Christopher Nolan. Additionally, Christian Bale will resume his role as Bruce Wayne and Academy Award nominee Heath Ledger has been cast as The Joker. The announcements were made today by Jeff Robinov, President of Production, Warner Bros. Pictures. 

Continue reading "Brokeback Gotham" »

July 29, 2006

Ocean Life to be or not to be?



     I’m torn about continuing on with Ocean Life or calling it quits.

     I enjoy writing it and I enjoy digitally making the comic strips. I even have story lines planned out for a total of 50+ strips. However, I can’t stand drawing them.

     I’m a horrible horrible horrible artist. I can’t draw worth crap. The strips come out looking readable because of the coloring and everything else I do to them.

    I already take every shortcut I can with drawing them. I cut down on background. I draw everyone and everything separate so I don’t mess up proportions. I crop photos differently so that I can go from wideshots to medium shots to close ups. But even so, drawing them is a bitch.

     I’m leaving Ocean City Today and going to grad school, so why not stop drawing them? Now is a good time to do so.

    But having them means that I have a piece of fictional work being published on a weekly basis. I mean sure it may only get read by people in the Ocean City area, but still… its just nice knowing I have readers.

    I’ve gotten more comments from people about Ocean Life than all the articles I’ve written. It’s nice to know that some people actually look forward to it and specifically scan through the paper every week trying to find it. Technically that’s why I want to write and do all the things I do. I want to entertain people and give them an escape.

    But GOD I hate drawing the damn strips cause I suck at it.

    Grrrr I’m so torn and I’m just not sure what I’m going to do. I have just over two weeks to decide before more strips are do, so I guess I’ll figure have to decide soon.

July 28, 2006

Venom


     This is the first look of Venom from "Spider-Man 3." This image was revealed at Comic-Con this past week. I know its super hard to tell, but that's Topher Grace playing Eddie Brock in the scene where he becomes Venom for the first time! My god I'm excited to see this movie. Smile

Comic Dad

     The other day I downloaded the photos form my phone onto my computer and amongst them were several from when dad was in the hospital. There were three photos one after another that when lined up looked like a dolly movement that a film-camera makes.
    This got me to thinking because in a sense the photos looked like a storyboard or a comic book. I started looking over my other photos. I did some google searches. I sent emails out to a few comic book professionals I know.
    So now, a few days later I’ve decided that I’m making a documentary-comicbook about Dad. It’s going to span from two days ago until its time for me to go to graduate school.
     I know it sounds odd but non-fiction books have a strong following. Lookup “Maus” or “Mom’s Cancner.” Both are amazing graphic novels.
I talked to mom and dad about my idea and both were willing to be my film subjects. I’m shooting it just like a I would a documentary on film, only instead I’m using a regular camera and am dealing with still images.
      I’m really excited about this and I think its going to work out well. On top of that I think Dad’s story is an interesting one and one that I want to tell. I also have some emotional stuff I’m trying to sort through and I think this will be a good therapeutic exercise for that.

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